Episodes
5 days ago
Episode 52: Butter by Butter 08
5 days ago
5 days ago
While on tour in Japan with the Jon Spencer Blues Explosion, musician Russell Simins would meet Japanese expatriates Miho Hatori and Yuka Honda of the New York City based band Cibo Matto. Once all three were back in New York, they would form the band Butter 08 with Skeleton Key’s Rick Lee and graphic designer/ filmmaker Mike Mills. In Episode 52, Simins tells the story of how the band’s only record, 1996’s Butter, came to be. Recorded primarily at Greene Street Recordings in Manhattan, Simins delves into the experience of working there and producing the effort alongside Honda as well as the inspirations, both sonically and lyrically, behind the album’s tracks.
Wednesday May 08, 2024
Episode 51: Take a Picture by Margo Guryan
Wednesday May 08, 2024
Wednesday May 08, 2024
In the fall of 1968, Bell Records would release singer-songwriter Margo Guryan’s debut full-length Take a Picture. Initially, the album would fail to garner much attention due to the Guryan’s reluctance to perform and promote the record. Many years later, Take a Picture would begin to gain a cult following, leading to a reissue in the early 2000s and some long overdue acclaim. In Episode 51, Guryan’s stepson Jon Rosner and Take a Picture’s producer John Hill tell the story of the late songwriter’s lone studio album, touching on her early life in Far Rockaway, Queens, her transition from the world of jazz into pop, and the magical discovery that was made after double tracking her vocals.
Wednesday May 01, 2024
Episode 50: Golden Time by The Rock*A*Teens
Wednesday May 01, 2024
Wednesday May 01, 2024
By the 1990s, the Atlanta mill village known as Cabbagetown had become a haven for artistic types due to its location and cheap rent. It is in this rich environment that The Rock*A*Teens would form and become the pride of the neighborhood’s musical community. In Episode 50 of In Loving Recollection, The Rock*A*Teens’ Chris Lopez tells the story of how the band’s 1999 album Golden Time came to be.
Wednesday Apr 24, 2024
Episode 49: Protest a Dark Anniversary by Masters of the Hemisphere
Wednesday Apr 24, 2024
Wednesday Apr 24, 2024
Formed during the halcyon days of the late 90s/ early 2000s Athens, GA music scene, Masters of the Hemisphere would become the quintessential indie pop act of beloved local label Kindercore Records. In Episode 49, Adrian Finch, Jeff Griggs, Bren Mead, and Sean Rawls tell the story of their 2002 album Protest a Dark Anniversary. Recounting the events that led to the record’s creation, the members of the Masters touch on their experience recording at World as Myth Studio and the sense of an impending transition that permeated the whole proceeding.
Sunday Oct 01, 2023
Episode 48: ”Jimmy Carter” by Blue Mountain
Sunday Oct 01, 2023
Sunday Oct 01, 2023
In the summer of 1995, the Oxford, Mississippi based band Blue Mountain would release their sophomore effort Dog Days. The album would contain a tribute to our nation’s 39th president and all-around good human being, Jimmy Carter. In celebration of this great man’s 99th birthday, In Loving Recollection alumna Laurie Stirratt and her Blue Mountain bandmate Cary Hudson tell the story of their song “Jimmy Carter.”
Tuesday Jul 04, 2023
Episode 47: ”No More Kings” by Pavement
Tuesday Jul 04, 2023
Tuesday Jul 04, 2023
In the fall of 1975, the children’s educational program Schoolhouse Rock! would debut a song about the history of the Thirteen American Colonies titled “No More Kings.” Two decades later, quintessential American indie rock band Pavement would record a version of the song that would eventually appear on the 1996 tribute album Schoolhouse Rock! Rocks. In Episode 47, Pavement’s Bob Nastanovich returns to In Loving Recollection to tell the story of how their recording of “No More Kings” came to be.
Wednesday Apr 26, 2023
Episode 46: Good God by Cyrus Gengras
Wednesday Apr 26, 2023
Wednesday Apr 26, 2023
After several years of non-stop touring, Los Angeles based musician Cyrus Gengras would find himself stuck at home in the spring of 2020. Making the most of the situation, Gengras would order a digital 8 track recorder, break out the wah-wah pedal, and make a record. In Episode 46, Gengras tells the story of his 2022 album Good God, detailing the DIY nature of the album’s production and touching on the various characters he has known throughout his life that inspired much of its lyrical content.
Wednesday Apr 19, 2023
Episode 45: The Spur by Joan Shelley
Wednesday Apr 19, 2023
Wednesday Apr 19, 2023
In the spring of 2021, singer-songwriter Joan Shelley would visit Earthwave Studio, a recording facility situated in the pastoral landscapes of Shelbyville, Kentucky. In this ideal environment, Shelley and her collaborators would record the collection of songs that would make up her next record. In Episode 45, the native Kentuckian tells the story of her 2022 album The Spur, discussing the lyrical themes and inspirations within the tracks as well as her experience recording them while 7 months pregnant.
Wednesday Apr 12, 2023
Episode 44: Shake Some Action by Flamin’ Groovies
Wednesday Apr 12, 2023
Wednesday Apr 12, 2023
Following the release of Teenage Head in 1971, San Francisco’s Flamin’ Groovies would experience a significant amount of setbacks and change. Eventually, they would persevere and create a classic. In Episode 44, the Flamin’ Groovies’ Cyril Jordan tells the story of the band’s arduous journey in bringing their seminal 1976 record Shake Some Action to fruition.
Wednesday Apr 05, 2023
Episode 43: Nobody But Me by The Human Beinz
Wednesday Apr 05, 2023
Wednesday Apr 05, 2023
In the summer of 1967, the Youngstown, Ohio band known as the Human Beingz would enter a Cleveland recording studio and make a hit record. A few months later, they would return to record a full length album. In Episode 43 of In Loving Recollection, guitarist Ting Markulin tells the story of The Human Beinz and their 1968 debut full-length Nobody But Me. Detailing the events that led to the album’s creation, Markulin touches on how the recording of the “Nobody But Me” single first came to be and how its eventual success would cause the band to permanently lose the “g” in their name.